The opening concept of the DN piece on the cultural activities in U City may or may not hold water--what, exactly, does it mean to be Philly's Brooklyn anyway? But the piece itself has some good information about the Fringe Festival heading out here and about the use of the old Cinemagic theaters for a dance performance.
http://www.philly.com/mld/dailynews/12503390.htm
The most dramatic space is the Rotunda, at 40th and Walnut streets, the former Church of Christ, Scientist, built in 1909. Though the church's social hall had been used for events programmed by the Foundation Community Arts Initiative (an organization dreamed up by Penn's Zitcer when he was an undergrad), the main building had lain essentially dormant since the university acquired it a decade ago.
Now Siobhan Davies Dance Company, an acclaimed British troupe, will give the U.S. premiere of "Bird Song" in the soaring space. The piece requires a projector to be mounted overhead, so a heavy chandelier had to be removed from the high ceiling. An architect was hired to draw up plans to level the space - the floor was slightly tilted. A wooden deck and spectator seating were installed, and a generator brought in to bring electrical standards up to snuff.
"That's for four hours of entertainment," Stuccio said during a tour of the site. "But we're convinced it will be priceless entertainment."
Popular local artist Brian Sanders' dance piece "Patio Plastico," originally performed outdoors at the Fringe in 1999, will be reimagined in Cinemagic, a former three-screen movie theater that Penn owns (the cinema closed earlier this year). The tag line of the piece is, "What would happen to the Brady Bunch if they followed Alice through the looking glass?"
With its five dancers moving through a synthetic world, the piece was a good match for the strip-mall look of Cinemagic. A recent visit revealed that in one of the theaters, the screen and 80 seats had been removed, a large stage built, and white corrugated plastic applied to the walls. The piece will feature water slides, a tire swing and hammock (which required that a dropped ceiling be removed) and a treadmill in the floor of the stage.
Finally, Philly's New Paradise Laboratories' "Planetary Enzyme Blues" will debut at the Episcopal seminary. Based on interviews with 50 Philadelphians prominent here during the '60s - including a jailhouse interview with murderer/guru Ira Einhorn - the piece, which McLaughlin calls "phantasmagoric verite, a documentation of dream life," will feature a 27-foot radio tower, a geodesic yurt, a bamboo grid and trap doors in the floor. Audience seating had to be installed around the perimeter and electricity upgraded.